TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2023
UR  - https://repff.fil.bg.ac.rs/handle/123456789/1520
AB  - The article examines the language of animals, who are, in one way or another, connected to death and the afterlife, and thus let in on their secrets. Our task is to investigate the speech characteristics of animals, birds, insects, and fish and how they relate to Vvedensky's ideas of conducting a poetic critique of reason, discovering new types of connections in the world, feeling its disconnection and fragmentation of time, and, finally, proving that reason does not understand the world. The language of animals is analyzed in the context of the new cosmogony conceived by Vvedensky that should take us back to the starting point - to the creation of the world, to harmony, in which man, plants, and animals talked to and understood each other.
PB  - Novoe Literaturnoe Obozrenie-New Literary Observer, Moscow
T2  - Novoe Literaturnoe Obozrenie
T1  - What Vvedensky's Animals Are Talking About
EP  - 271
IS  - 179
SP  - 254
DO  - 10.53953/08696365_2023_179_1_254
UR  - conv_1941
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2023",
abstract = "The article examines the language of animals, who are, in one way or another, connected to death and the afterlife, and thus let in on their secrets. Our task is to investigate the speech characteristics of animals, birds, insects, and fish and how they relate to Vvedensky's ideas of conducting a poetic critique of reason, discovering new types of connections in the world, feeling its disconnection and fragmentation of time, and, finally, proving that reason does not understand the world. The language of animals is analyzed in the context of the new cosmogony conceived by Vvedensky that should take us back to the starting point - to the creation of the world, to harmony, in which man, plants, and animals talked to and understood each other.",
publisher = "Novoe Literaturnoe Obozrenie-New Literary Observer, Moscow",
journal = "Novoe Literaturnoe Obozrenie",
title = "What Vvedensky's Animals Are Talking About",
pages = "271-254",
number = "179",
doi = "10.53953/08696365_2023_179_1_254",
url = "conv_1941"
}

Ičin, K.. (2023). What Vvedensky's Animals Are Talking About. in Novoe Literaturnoe Obozrenie
Novoe Literaturnoe Obozrenie-New Literary Observer, Moscow.(179), 254-271.
https://doi.org/10.53953/08696365_2023_179_1_254
conv_1941

Ičin K. What Vvedensky's Animals Are Talking About. in Novoe Literaturnoe Obozrenie. 2023;(179):254-271.
doi:10.53953/08696365_2023_179_1_254
conv_1941 .

Ičin, Kornelija, "What Vvedensky's Animals Are Talking About" in Novoe Literaturnoe Obozrenie, no. 179 (2023):254-271,
https://doi.org/10.53953/08696365_2023_179_1_254 .,
conv_1941 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2022
UR  - https://repff.fil.bg.ac.rs/handle/123456789/1463
AB  - The article discusses Sergey Zavyalov's cycle of poems "Christmas Lent" as a polyphonic text - evidence of the besieged Leningrad in the context of philosophical reflections on whether poetry is possible after Auschwitz. The story of the victim, as well as the weather forecast and news report from the front, become the main document of the tragedy of human existence in the era of the collapse of humanism.
PB  - Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd
T2  - Filozofija I društvo
T1  - Poetry against Violence: Sergey Zavyalov's Poems
EP  - 859
IS  - 4
SP  - 849
VL  - 33
DO  - 10.2298/FID2204849I
UR  - conv_1934
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2022",
abstract = "The article discusses Sergey Zavyalov's cycle of poems "Christmas Lent" as a polyphonic text - evidence of the besieged Leningrad in the context of philosophical reflections on whether poetry is possible after Auschwitz. The story of the victim, as well as the weather forecast and news report from the front, become the main document of the tragedy of human existence in the era of the collapse of humanism.",
publisher = "Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd",
journal = "Filozofija I društvo",
title = "Poetry against Violence: Sergey Zavyalov's Poems",
pages = "859-849",
number = "4",
volume = "33",
doi = "10.2298/FID2204849I",
url = "conv_1934"
}

Ičin, K.. (2022). Poetry against Violence: Sergey Zavyalov's Poems. in Filozofija I društvo
Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd., 33(4), 849-859.
https://doi.org/10.2298/FID2204849I
conv_1934

Ičin K. Poetry against Violence: Sergey Zavyalov's Poems. in Filozofija I društvo. 2022;33(4):849-859.
doi:10.2298/FID2204849I
conv_1934 .

Ičin, Kornelija, "Poetry against Violence: Sergey Zavyalov's Poems" in Filozofija I društvo, 33, no. 4 (2022):849-859,
https://doi.org/10.2298/FID2204849I .,
conv_1934 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2021
UR  - https://repff.fil.bg.ac.rs/handle/123456789/1413
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - Најплеменитији метал — сребро XX века. In memoriam: проф. др Николај Алексејевич Богомолов (1950–2020)
EP  - 445
SP  - 443
VL  - 99
UR  - conv_1877
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2021",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "Најплеменитији метал — сребро XX века. In memoriam: проф. др Николај Алексејевич Богомолов (1950–2020)",
pages = "445-443",
volume = "99",
url = "conv_1877"
}

Ičin, K.. (2021). Најплеменитији метал — сребро XX века. In memoriam: проф. др Николај Алексејевич Богомолов (1950–2020). in Зборник Матице српске за славистику
Нови Сад : Матица српска., 99, 443-445.
conv_1877

Ičin K. Најплеменитији метал — сребро XX века. In memoriam: проф. др Николај Алексејевич Богомолов (1950–2020). in Зборник Матице српске за славистику. 2021;99:443-445.
conv_1877 .

Ičin, Kornelija, "Најплеменитији метал — сребро XX века. In memoriam: проф. др Николај Алексејевич Богомолов (1950–2020)" in Зборник Матице српске за славистику, 99 (2021):443-445,
conv_1877 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2020
UR  - https://repff.fil.bg.ac.rs/handle/123456789/1295
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - Halted thought - to set the world in motion in memoriam: Valerij Aleksandrovich Podoroga (1946-2020)
EP  - 250
SP  - 246
VL  - 98
UR  - conv_1868
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2020",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "Halted thought - to set the world in motion in memoriam: Valerij Aleksandrovich Podoroga (1946-2020)",
pages = "250-246",
volume = "98",
url = "conv_1868"
}

Ičin, K.. (2020). Halted thought - to set the world in motion in memoriam: Valerij Aleksandrovich Podoroga (1946-2020). in Зборник Матице српске за славистику
Нови Сад : Матица српска., 98, 246-250.
conv_1868

Ičin K. Halted thought - to set the world in motion in memoriam: Valerij Aleksandrovich Podoroga (1946-2020). in Зборник Матице српске за славистику. 2020;98:246-250.
conv_1868 .

Ičin, Kornelija, "Halted thought - to set the world in motion in memoriam: Valerij Aleksandrovich Podoroga (1946-2020)" in Зборник Матице српске за славистику, 98 (2020):246-250,
conv_1868 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2020
UR  - https://repff.fil.bg.ac.rs/handle/123456789/1352
AB  - The paper analyses the system of dialogue in drama Fact, Theory and God, as well as the role of characters: Fact in particular, Soul, Theory and God in perception of the world in Vvedensky's poetry. The gnoseological issues in the drama are discussed in the context of Vvedensky 's skeptical attitude towards science and the possibilities of man's reason. At the same time, the text reveals the eshatological layers linking the drama Fact, Theory and God to the ideas of soul in ancient Egyptian mythology.
PB  - Univ Studi Trieste, Edizioni Universita Trieste-Eut, Trieste
T2  - Slavica Tergestina
T1  - Dialogic performance in A. Vvedensky's Fact, Theory and God
EP  - 146
SP  - 126
VL  - 25
DO  - 10.13137/2283-5482/33391
UR  - conv_1912
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2020",
abstract = "The paper analyses the system of dialogue in drama Fact, Theory and God, as well as the role of characters: Fact in particular, Soul, Theory and God in perception of the world in Vvedensky's poetry. The gnoseological issues in the drama are discussed in the context of Vvedensky 's skeptical attitude towards science and the possibilities of man's reason. At the same time, the text reveals the eshatological layers linking the drama Fact, Theory and God to the ideas of soul in ancient Egyptian mythology.",
publisher = "Univ Studi Trieste, Edizioni Universita Trieste-Eut, Trieste",
journal = "Slavica Tergestina",
title = "Dialogic performance in A. Vvedensky's Fact, Theory and God",
pages = "146-126",
volume = "25",
doi = "10.13137/2283-5482/33391",
url = "conv_1912"
}

Ičin, K.. (2020). Dialogic performance in A. Vvedensky's Fact, Theory and God. in Slavica Tergestina
Univ Studi Trieste, Edizioni Universita Trieste-Eut, Trieste., 25, 126-146.
https://doi.org/10.13137/2283-5482/33391
conv_1912

Ičin K. Dialogic performance in A. Vvedensky's Fact, Theory and God. in Slavica Tergestina. 2020;25:126-146.
doi:10.13137/2283-5482/33391
conv_1912 .

Ičin, Kornelija, "Dialogic performance in A. Vvedensky's Fact, Theory and God" in Slavica Tergestina, 25 (2020):126-146,
https://doi.org/10.13137/2283-5482/33391 .,
conv_1912 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2019
UR  - https://repff.fil.bg.ac.rs/handle/123456789/1285
AB  - This paper deals with the impact that Karl Marx's Das Kapital (and especially its fourth volume, The Theory of Surplus Value) had on the category of economy in Kazimir Malevich's output. In a series of texts, Malevich proclaims economy the new criterion of art and the Black Square its embodiment in contemporary painting. While the author was analyzing Marx's views on labor and human nature, echoes of them turned up in Malevich's manifestos and philosophical essays where the artist pondered the idea of the liberation of creative exaltation. The article offers an interpretation of the creative process itself from the standpoint of economy, which for Malevich provided an opportunity to lay down the foundation for a new kind of art that was consistent with the prevailing ideology. The author points out that while Malevich was in Vitebsk he studied Marx's works with idea of incorporating economic studies into art: his speculations on the relationships between the ideological superstructure and the practical, economic base were written in the manner of Marxist philosophy and provided the basis for his main essays, The World as Non-Objectivity (1923) and Suprematism: The World as Non-Objectivity or Eternal Rest (1923-1924). They defined the new art as an independent ideological superstructure positioned "outside of other contents and ideologies." Parallel to that, the author examines the correspondence between Malevich's theory of the surplus element and Marxist doctrines on surplus value. It is also shown that Malevich hoped to prove that, as in dialectical materialism, his new surplus element opens the way to a new artistic structure that is emerging from the womb of the old system in the same way that communism comes about as a kind of heterogeneous body from within the underpinnings of bourgeois society.
PB  - Gaidar Inst Economic Policy, Moscow
T2  - Logos
T1  - Kazimir Malevich: economy as the fifth dimension
EP  - 228
IS  - 6
SP  - 215
VL  - 29
DO  - 10.22394/0869-5377-2019-6-215-226
UR  - conv_1849
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2019",
abstract = "This paper deals with the impact that Karl Marx's Das Kapital (and especially its fourth volume, The Theory of Surplus Value) had on the category of economy in Kazimir Malevich's output. In a series of texts, Malevich proclaims economy the new criterion of art and the Black Square its embodiment in contemporary painting. While the author was analyzing Marx's views on labor and human nature, echoes of them turned up in Malevich's manifestos and philosophical essays where the artist pondered the idea of the liberation of creative exaltation. The article offers an interpretation of the creative process itself from the standpoint of economy, which for Malevich provided an opportunity to lay down the foundation for a new kind of art that was consistent with the prevailing ideology. The author points out that while Malevich was in Vitebsk he studied Marx's works with idea of incorporating economic studies into art: his speculations on the relationships between the ideological superstructure and the practical, economic base were written in the manner of Marxist philosophy and provided the basis for his main essays, The World as Non-Objectivity (1923) and Suprematism: The World as Non-Objectivity or Eternal Rest (1923-1924). They defined the new art as an independent ideological superstructure positioned "outside of other contents and ideologies." Parallel to that, the author examines the correspondence between Malevich's theory of the surplus element and Marxist doctrines on surplus value. It is also shown that Malevich hoped to prove that, as in dialectical materialism, his new surplus element opens the way to a new artistic structure that is emerging from the womb of the old system in the same way that communism comes about as a kind of heterogeneous body from within the underpinnings of bourgeois society.",
publisher = "Gaidar Inst Economic Policy, Moscow",
journal = "Logos",
title = "Kazimir Malevich: economy as the fifth dimension",
pages = "228-215",
number = "6",
volume = "29",
doi = "10.22394/0869-5377-2019-6-215-226",
url = "conv_1849"
}

Ičin, K.. (2019). Kazimir Malevich: economy as the fifth dimension. in Logos
Gaidar Inst Economic Policy, Moscow., 29(6), 215-228.
https://doi.org/10.22394/0869-5377-2019-6-215-226
conv_1849

Ičin K. Kazimir Malevich: economy as the fifth dimension. in Logos. 2019;29(6):215-228.
doi:10.22394/0869-5377-2019-6-215-226
conv_1849 .

Ičin, Kornelija, "Kazimir Malevich: economy as the fifth dimension" in Logos, 29, no. 6 (2019):215-228,
https://doi.org/10.22394/0869-5377-2019-6-215-226 .,
conv_1849 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2019
UR  - https://repff.fil.bg.ac.rs/handle/123456789/1271
AB  - The paper discusses the concepts of economy and additional element in Malevich's theoretical papers, which we bring into conjunction with the research of the capital and added value of Karl Marx.
PB  - Univ Studi Trieste, Edizioni Universita Trieste-Eut, Trieste
T2  - Slavica Tergestina
T1  - Economics as the Fifth Dimension: Malevich's Dialogue with Marx
EP  - 27
SP  - 16
VL  - 22
DO  - 10.13137/2283-5482/24681
UR  - conv_1801
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2019",
abstract = "The paper discusses the concepts of economy and additional element in Malevich's theoretical papers, which we bring into conjunction with the research of the capital and added value of Karl Marx.",
publisher = "Univ Studi Trieste, Edizioni Universita Trieste-Eut, Trieste",
journal = "Slavica Tergestina",
title = "Economics as the Fifth Dimension: Malevich's Dialogue with Marx",
pages = "27-16",
volume = "22",
doi = "10.13137/2283-5482/24681",
url = "conv_1801"
}

Ičin, K.. (2019). Economics as the Fifth Dimension: Malevich's Dialogue with Marx. in Slavica Tergestina
Univ Studi Trieste, Edizioni Universita Trieste-Eut, Trieste., 22, 16-27.
https://doi.org/10.13137/2283-5482/24681
conv_1801

Ičin K. Economics as the Fifth Dimension: Malevich's Dialogue with Marx. in Slavica Tergestina. 2019;22:16-27.
doi:10.13137/2283-5482/24681
conv_1801 .

Ičin, Kornelija, "Economics as the Fifth Dimension: Malevich's Dialogue with Marx" in Slavica Tergestina, 22 (2019):16-27,
https://doi.org/10.13137/2283-5482/24681 .,
conv_1801 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2018
UR  - https://repff.fil.bg.ac.rs/handle/123456789/1210
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - The Norm Border: Transformation of Humanism in the Russian and European Culture of the New and Modern Times
EP  - 209
SP  - 204
VL  - 94
UR  - conv_1792
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2018",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "The Norm Border: Transformation of Humanism in the Russian and European Culture of the New and Modern Times",
pages = "209-204",
volume = "94",
url = "conv_1792"
}

Ičin, K.. (2018). The Norm Border: Transformation of Humanism in the Russian and European Culture of the New and Modern Times. in Зборник Матице српске за славистику
Нови Сад : Матица српска., 94, 204-209.
conv_1792

Ičin K. The Norm Border: Transformation of Humanism in the Russian and European Culture of the New and Modern Times. in Зборник Матице српске за славистику. 2018;94:204-209.
conv_1792 .

Ičin, Kornelija, "The Norm Border: Transformation of Humanism in the Russian and European Culture of the New and Modern Times" in Зборник Матице српске за славистику, 94 (2018):204-209,
conv_1792 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2017
UR  - https://repff.fil.bg.ac.rs/handle/123456789/1140
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - Abundance and Asceticism in Russian Literature: Confrontations, Transitions, Convergences
EP  - 295
SP  - 291
VL  - 91
UR  - conv_1621
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2017",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "Abundance and Asceticism in Russian Literature: Confrontations, Transitions, Convergences",
pages = "295-291",
volume = "91",
url = "conv_1621"
}

Ičin, K.. (2017). Abundance and Asceticism in Russian Literature: Confrontations, Transitions, Convergences. in Зборник Матице српске за славистику
Нови Сад : Матица српска., 91, 291-295.
conv_1621

Ičin K. Abundance and Asceticism in Russian Literature: Confrontations, Transitions, Convergences. in Зборник Матице српске за славистику. 2017;91:291-295.
conv_1621 .

Ičin, Kornelija, "Abundance and Asceticism in Russian Literature: Confrontations, Transitions, Convergences" in Зборник Матице српске за славистику, 91 (2017):291-295,
conv_1621 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2016
UR  - https://repff.fil.bg.ac.rs/handle/123456789/1034
AB  - Impressions from the horrors of the First World War led by Vasily Chekrygin who participated in the war of compassion for the soldiers, to the teachings of Nikolai Fyodorov. The paper investigates the influence of the "Philosophy of the common cause" for the art world Chekrygin: his drawings, theoretical studies, articles, diary entries. We consider a new artistic technique in Chekrygin figures, based on the concepts of the Copernican art, to resurrect the Cathedral Museum, the transformation of the cosmos, the great synthesis.
PB  - Izdatel'stvo Nauka
T2  - Voprosy Filosofii
T1  - Resurrection against the Fratricide: Vasily Chekrygin
EP  - 112
IS  - 4
SP  - 103
UR  - conv_2071
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2016",
abstract = "Impressions from the horrors of the First World War led by Vasily Chekrygin who participated in the war of compassion for the soldiers, to the teachings of Nikolai Fyodorov. The paper investigates the influence of the "Philosophy of the common cause" for the art world Chekrygin: his drawings, theoretical studies, articles, diary entries. We consider a new artistic technique in Chekrygin figures, based on the concepts of the Copernican art, to resurrect the Cathedral Museum, the transformation of the cosmos, the great synthesis.",
publisher = "Izdatel'stvo Nauka",
journal = "Voprosy Filosofii",
title = "Resurrection against the Fratricide: Vasily Chekrygin",
pages = "112-103",
number = "4",
url = "conv_2071"
}

Ičin, K.. (2016). Resurrection against the Fratricide: Vasily Chekrygin. in Voprosy Filosofii
Izdatel'stvo Nauka.(4), 103-112.
conv_2071

Ičin K. Resurrection against the Fratricide: Vasily Chekrygin. in Voprosy Filosofii. 2016;(4):103-112.
conv_2071 .

Ičin, Kornelija, "Resurrection against the Fratricide: Vasily Chekrygin" in Voprosy Filosofii, no. 4 (2016):103-112,
conv_2071 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2015
UR  - https://repff.fil.bg.ac.rs/handle/123456789/1010
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - Conference at the "'Far Holidays Century': The first world war and culture", Moscow, September 10-12, 2014
EP  - 329
SP  - 325
VL  - 87
UR  - conv_1562
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2015",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "Conference at the "'Far Holidays Century': The first world war and culture", Moscow, September 10-12, 2014",
pages = "329-325",
volume = "87",
url = "conv_1562"
}

Ičin, K.. (2015). Conference at the "'Far Holidays Century': The first world war and culture", Moscow, September 10-12, 2014. in Зборник Матице српске за славистику
Нови Сад : Матица српска., 87, 325-329.
conv_1562

Ičin K. Conference at the "'Far Holidays Century': The first world war and culture", Moscow, September 10-12, 2014. in Зборник Матице српске за славистику. 2015;87:325-329.
conv_1562 .

Ičin, Kornelija, "Conference at the "'Far Holidays Century': The first world war and culture", Moscow, September 10-12, 2014" in Зборник Матице српске за славистику, 87 (2015):325-329,
conv_1562 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2014
UR  - https://repff.fil.bg.ac.rs/handle/123456789/917
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - Russian cabarets at the beginning of the 20th century (International scientific conference Entertainment culture of the Silver Age 1908- 1918, Paris, 8- 9 November 2013)
EP  - 262
SP  - 259
VL  - 85
UR  - conv_1701
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2014",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "Russian cabarets at the beginning of the 20th century (International scientific conference Entertainment culture of the Silver Age 1908- 1918, Paris, 8- 9 November 2013)",
pages = "262-259",
volume = "85",
url = "conv_1701"
}

Ičin, K.. (2014). Russian cabarets at the beginning of the 20th century (International scientific conference Entertainment culture of the Silver Age 1908- 1918, Paris, 8- 9 November 2013). in Зборник Матице српске за славистику
Нови Сад : Матица српска., 85, 259-262.
conv_1701

Ičin K. Russian cabarets at the beginning of the 20th century (International scientific conference Entertainment culture of the Silver Age 1908- 1918, Paris, 8- 9 November 2013). in Зборник Матице српске за славистику. 2014;85:259-262.
conv_1701 .

Ičin, Kornelija, "Russian cabarets at the beginning of the 20th century (International scientific conference Entertainment culture of the Silver Age 1908- 1918, Paris, 8- 9 November 2013)" in Зборник Матице српске за славистику, 85 (2014):259-262,
conv_1701 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2014
UR  - https://repff.fil.bg.ac.rs/handle/123456789/900
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - Formal experiments and innovations of Avant-garde art from the perspective of social culture and art theory (Goethe-Institut, Latvian national museum of art, Riga, 7-8. 10. 2014)
EP  - 260
SP  - 258
VL  - 86
UR  - conv_1706
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2014",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "Formal experiments and innovations of Avant-garde art from the perspective of social culture and art theory (Goethe-Institut, Latvian national museum of art, Riga, 7-8. 10. 2014)",
pages = "260-258",
volume = "86",
url = "conv_1706"
}

Ičin, K.. (2014). Formal experiments and innovations of Avant-garde art from the perspective of social culture and art theory (Goethe-Institut, Latvian national museum of art, Riga, 7-8. 10. 2014). in Зборник Матице српске за славистику
Нови Сад : Матица српска., 86, 258-260.
conv_1706

Ičin K. Formal experiments and innovations of Avant-garde art from the perspective of social culture and art theory (Goethe-Institut, Latvian national museum of art, Riga, 7-8. 10. 2014). in Зборник Матице српске за славистику. 2014;86:258-260.
conv_1706 .

Ičin, Kornelija, "Formal experiments and innovations of Avant-garde art from the perspective of social culture and art theory (Goethe-Institut, Latvian national museum of art, Riga, 7-8. 10. 2014)" in Зборник Матице српске за славистику, 86 (2014):258-260,
conv_1706 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2013
UR  - https://repff.fil.bg.ac.rs/handle/123456789/897
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - hunred years of Russian futurism- hundred years of the word as such (international scientific conference year 1913: "the word as such", Geneva, 10th-13th april 2013)
EP  - 264
SP  - 257
VL  - 84
UR  - conv_1693
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2013",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "hunred years of Russian futurism- hundred years of the word as such (international scientific conference year 1913: "the word as such", Geneva, 10th-13th april 2013)",
pages = "264-257",
volume = "84",
url = "conv_1693"
}

Ičin, K.. (2013). hunred years of Russian futurism- hundred years of the word as such (international scientific conference year 1913: "the word as such", Geneva, 10th-13th april 2013). in Зборник Матице српске за славистику
Нови Сад : Матица српска., 84, 257-264.
conv_1693

Ičin K. hunred years of Russian futurism- hundred years of the word as such (international scientific conference year 1913: "the word as such", Geneva, 10th-13th april 2013). in Зборник Матице српске за славистику. 2013;84:257-264.
conv_1693 .

Ičin, Kornelija, "hunred years of Russian futurism- hundred years of the word as such (international scientific conference year 1913: "the word as such", Geneva, 10th-13th april 2013)" in Зборник Матице српске за славистику, 84 (2013):257-264,
conv_1693 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2007
UR  - https://repff.fil.bg.ac.rs/handle/123456789/370
AB  - Ovaj tekst markira osnovnu problematiku funkcije i položaja junaka-lekara u prozi i dramama pisaca-lekara (Čehov, Veresajev, Bulgakov, Aksjonov), koja seže od Bolničke sobe br. 6 Čehova pa do Moskovske sage Aksjonova.
AB  - Dannyj tekst predstavljaet soboj nabor myslej kasatel'no obraza vrača sozdavaemogo pisateljai-vračami v russkoj literature konca XIX - načala XX vekov.
PB  - Београд : Славистичко друштво Србије
T2  - Славистика
T1  - Lik i funkcija lekara u delima pisaca - lekara
T1  - Obraz i funkcija vrača v proizvedenijah pisatelej-vračej: Čehov, Veresaev, Bulgakov, Aksenov: Razroznennye zametki
EP  - 57
IS  - 11
SP  - 51
UR  - conv_962
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2007",
abstract = "Ovaj tekst markira osnovnu problematiku funkcije i položaja junaka-lekara u prozi i dramama pisaca-lekara (Čehov, Veresajev, Bulgakov, Aksjonov), koja seže od Bolničke sobe br. 6 Čehova pa do Moskovske sage Aksjonova., Dannyj tekst predstavljaet soboj nabor myslej kasatel'no obraza vrača sozdavaemogo pisateljai-vračami v russkoj literature konca XIX - načala XX vekov.",
publisher = "Београд : Славистичко друштво Србије",
journal = "Славистика",
title = "Lik i funkcija lekara u delima pisaca - lekara, Obraz i funkcija vrača v proizvedenijah pisatelej-vračej: Čehov, Veresaev, Bulgakov, Aksenov: Razroznennye zametki",
pages = "57-51",
number = "11",
url = "conv_962"
}

Ičin, K.. (2007). Lik i funkcija lekara u delima pisaca - lekara. in Славистика
Београд : Славистичко друштво Србије.(11), 51-57.
conv_962

Ičin K. Lik i funkcija lekara u delima pisaca - lekara. in Славистика. 2007;(11):51-57.
conv_962 .

Ičin, Kornelija, "Lik i funkcija lekara u delima pisaca - lekara" in Славистика, no. 11 (2007):51-57,
conv_962 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2006
UR  - https://repff.fil.bg.ac.rs/handle/123456789/332
AB  - Veza Mandeljštama s rimskim pesnikom Ovidijem je zadata već naslovom njegove druge po redu zbirke pesama Tristia. Međutim, analizom stvaralaštva ruskog pesnika dolazi se do zaključka da Ovidije nije relevantan samo za "ranog" Mandeljštama, u čijim stihovima se sreće pomen Ovidijevog imena (u pesmi O vremenah prostyh i grubyh), već posebno u poznom stvaralaštvu, kada se sudbina unutrašnjeg izgnanika Mandeljštama identifikuje s izgnanikom iz rimske imperije. Analizirajući prve dve zbirke pesama, Kamen i Tristia, došli smo do zaključka da je dijalog s Ovidijem duboko ukodiran u stvaralaštvo Mandeljštama što se posebno potvrđuje na nivou anagrama. Za Mandeljštama je Ovidije ne samo njegov sabesednik i preteča, već i preteča celokupne evropske kulture. Zahvaljujući recepciji Ovidija u Mandeljštamovu stvaralaštvu uvode se opozicione kategorije centra i periferije, stvaraoca i imperije, slobode i ropstva, stvaralaštva i spomenika, koje lako menjaju mesta u času umetničkog odmeravanja. Za Mandeljštamovo stvaralaštvo nakon 1917. godine Ovidije igra ključnu ulogu, jer je za njega život pod sovjetima ravan životu u izgnanstvu. Pored najrelevantnijih motiva koji upućuju na intertekstualno dešifrovanje Mandeljštamovog pesničkog teksta, anagramska i hipogramska analiza dvaju zbornika je dozvolila da se uverimo u magistralnu orijentaciju Mandeljštama na rimskog pesnika Ovidija - savremenika svih izgnanika XX veka.
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - Poetika progonstva - Ovidije i Mandeljštam (na materijalu zbornika Kamenj i Tristia)
T1  - Poetika izgnanija: Ovidij i Mandel'štam (na materiale sbornikov Kamen' i Tristia)
EP  - 17
IS  - 69
SP  - 7
UR  - conv_486
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2006",
abstract = "Veza Mandeljštama s rimskim pesnikom Ovidijem je zadata već naslovom njegove druge po redu zbirke pesama Tristia. Međutim, analizom stvaralaštva ruskog pesnika dolazi se do zaključka da Ovidije nije relevantan samo za "ranog" Mandeljštama, u čijim stihovima se sreće pomen Ovidijevog imena (u pesmi O vremenah prostyh i grubyh), već posebno u poznom stvaralaštvu, kada se sudbina unutrašnjeg izgnanika Mandeljštama identifikuje s izgnanikom iz rimske imperije. Analizirajući prve dve zbirke pesama, Kamen i Tristia, došli smo do zaključka da je dijalog s Ovidijem duboko ukodiran u stvaralaštvo Mandeljštama što se posebno potvrđuje na nivou anagrama. Za Mandeljštama je Ovidije ne samo njegov sabesednik i preteča, već i preteča celokupne evropske kulture. Zahvaljujući recepciji Ovidija u Mandeljštamovu stvaralaštvu uvode se opozicione kategorije centra i periferije, stvaraoca i imperije, slobode i ropstva, stvaralaštva i spomenika, koje lako menjaju mesta u času umetničkog odmeravanja. Za Mandeljštamovo stvaralaštvo nakon 1917. godine Ovidije igra ključnu ulogu, jer je za njega život pod sovjetima ravan životu u izgnanstvu. Pored najrelevantnijih motiva koji upućuju na intertekstualno dešifrovanje Mandeljštamovog pesničkog teksta, anagramska i hipogramska analiza dvaju zbornika je dozvolila da se uverimo u magistralnu orijentaciju Mandeljštama na rimskog pesnika Ovidija - savremenika svih izgnanika XX veka.",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "Poetika progonstva - Ovidije i Mandeljštam (na materijalu zbornika Kamenj i Tristia), Poetika izgnanija: Ovidij i Mandel'štam (na materiale sbornikov Kamen' i Tristia)",
pages = "17-7",
number = "69",
url = "conv_486"
}

Ičin, K.. (2006). Poetika progonstva - Ovidije i Mandeljštam (na materijalu zbornika Kamenj i Tristia). in Зборник Матице српске за славистику
Нови Сад : Матица српска.(69), 7-17.
conv_486

Ičin K. Poetika progonstva - Ovidije i Mandeljštam (na materijalu zbornika Kamenj i Tristia). in Зборник Матице српске за славистику. 2006;(69):7-17.
conv_486 .

Ičin, Kornelija, "Poetika progonstva - Ovidije i Mandeljštam (na materijalu zbornika Kamenj i Tristia)" in Зборник Матице српске за славистику, no. 69 (2006):7-17,
conv_486 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2006
UR  - https://repff.fil.bg.ac.rs/handle/123456789/307
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - Уметнички текст као динамички систем (Москва, Институт руског језика РАН, 19-22. мај 2005)
EP  - 309
SP  - 307
VL  - 69
UR  - conv_1629
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2006",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "Уметнички текст као динамички систем (Москва, Институт руског језика РАН, 19-22. мај 2005)",
pages = "309-307",
volume = "69",
url = "conv_1629"
}

Ičin, K.. (2006). Уметнички текст као динамички систем (Москва, Институт руског језика РАН, 19-22. мај 2005). in Зборник Матице српске за славистику
Нови Сад : Матица српска., 69, 307-309.
conv_1629

Ičin K. Уметнички текст као динамички систем (Москва, Институт руског језика РАН, 19-22. мај 2005). in Зборник Матице српске за славистику. 2006;69:307-309.
conv_1629 .

Ičin, Kornelija, "Уметнички текст као динамички систем (Москва, Институт руског језика РАН, 19-22. мај 2005)" in Зборник Матице српске за славистику, 69 (2006):307-309,
conv_1629 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2006
UR  - https://repff.fil.bg.ac.rs/handle/123456789/339
PB  - Београд : Филолошки факултет
T2  - Филолошки преглед
T1  - Neizvestnyj rasskaz 'Delovoj den’' Evgenija Aničkova
EP  - 197
IS  - 1
SP  - 191
VL  - 33
UR  - conv_55
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2006",
publisher = "Београд : Филолошки факултет",
journal = "Филолошки преглед",
title = "Neizvestnyj rasskaz 'Delovoj den’' Evgenija Aničkova",
pages = "197-191",
number = "1",
volume = "33",
url = "conv_55"
}

Ičin, K.. (2006). Neizvestnyj rasskaz 'Delovoj den’' Evgenija Aničkova. in Филолошки преглед
Београд : Филолошки факултет., 33(1), 191-197.
conv_55

Ičin K. Neizvestnyj rasskaz 'Delovoj den’' Evgenija Aničkova. in Филолошки преглед. 2006;33(1):191-197.
conv_55 .

Ičin, Kornelija, "Neizvestnyj rasskaz 'Delovoj den’' Evgenija Aničkova" in Филолошки преглед, 33, no. 1 (2006):191-197,
conv_55 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2003
UR  - https://repff.fil.bg.ac.rs/handle/123456789/220
AB  - Jedan od dva poslednja teksta Vedenskog, "Elegija", spada u red najzagonetnijih. Puškinovo mesto i uloga u ovom tekstu markirani su samim epigrafom - aluzijom na njegove "Taljige života", čiji motivi odjekuju i u pretposlednjoj, osmoj strofi (simbolika "kočijaša" i "putnika" što "lete" kroz vreme), ali Puškinov pečat se otkriva i u poslednjoj strofi, koja završava pesmu neobičnom kontaminacijom motiva iz "Bronzanog konjanika" i stihova "Živeo na svetu jadni vitez" ("bronzani orlovi" i "jadni jahač"). Budući se reminiscencije iz Puškina pojavljuju i u poslednjoj pesmi Vedenskog "Gde". "Kada" (iz pesme "Moru"), kao i direktno uvođenje Puškinovog imena dvostruki usklik "Ah, Puškine, Puškine!", s jedne strane, određuje prstenastu kompoziciju diptiha u Puškinovom znaku, dok, s druge strane, identifikovanje pesničkog subjekta s Vedenskim i potonje s Puškinom - prethodnikom, ukazuje na njihov zajednički tragični udes - smrt u 37. godini života. Time Vedenski posredno daje odgovor na Puškinovo pitanje o životu i smrti iz pesama "Dar zaludni, dar slučajni", "Elegija" (1830), "Stihovi, napisani noću, za vreme nesanice".
AB  - 'Ëlegija' - odno iz dvuh poslednih sočinenij Vvedenskogo, prinadležit k rjadu samyh zagadočnyh. Mesto i rol' Puškina v dannom sočinenii markirovany samim ëpigrafom - namekom na ego 'Telegu žizni', motivy kotoroj razdajutsja i v predposlednej, vos'moj strofe (simvolika 'jamščika' i 'passažira', 'letjaščih' skvoz' vremja). No puškinskaja pečat' obnaruživaetsja i v poslednej strofe zakančivajuščej stihotvorenie neobyknovennoj kontaminaciej motivov iz 'Mednogo vsadnika' i stihotvorenija 'Žil na svete rycar' bednyj' ('mednye orly' i 'vsadnik bednyj'). Tak kak puškinskie reminiscencii pojavljajutsja i v poslednem stihotvorenii Vvedenskogo 'Gde'. 'Kogda' (iz stihotvorenija 'K morju'), a takže i prjamoe upominanie imeni Puškina - udvoennym vosklicaniem 'Ah, Puškin Puškin!', s odnoj storony, opredeljaet kol'cevuju kompoziciju diptiha pod puškinskim znakom, v to vremja kak, s drugoj storony, otoždestvlenie liričeskogo sub"ekta s Vvedenskim, a zatem i s Puškinym- predšestvennikom ukazyvaet na ih obščuju tragičeskuju sud'bu - smert' v 37-letnem vozraste. Ëtim Vvedenskij kosvennym obrazom otvečaet na voprašanija Puškina o žizni i smerti iz stihotvorenij 'Dar naprasnyj, dar slučajnyj', 'Ëlegija' (1830), 'Stihi sočinennye noč'ju vo vremja bessonnicy'
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - Puškinov kontekst 'Elegije' A. Vedenskog
T1  - Puškinskij kontekst 'Ëlegii' A. Vvedenskogo
EP  - 94
IS  - 63
SP  - 89
UR  - conv_448
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2003",
abstract = "Jedan od dva poslednja teksta Vedenskog, "Elegija", spada u red najzagonetnijih. Puškinovo mesto i uloga u ovom tekstu markirani su samim epigrafom - aluzijom na njegove "Taljige života", čiji motivi odjekuju i u pretposlednjoj, osmoj strofi (simbolika "kočijaša" i "putnika" što "lete" kroz vreme), ali Puškinov pečat se otkriva i u poslednjoj strofi, koja završava pesmu neobičnom kontaminacijom motiva iz "Bronzanog konjanika" i stihova "Živeo na svetu jadni vitez" ("bronzani orlovi" i "jadni jahač"). Budući se reminiscencije iz Puškina pojavljuju i u poslednjoj pesmi Vedenskog "Gde". "Kada" (iz pesme "Moru"), kao i direktno uvođenje Puškinovog imena dvostruki usklik "Ah, Puškine, Puškine!", s jedne strane, određuje prstenastu kompoziciju diptiha u Puškinovom znaku, dok, s druge strane, identifikovanje pesničkog subjekta s Vedenskim i potonje s Puškinom - prethodnikom, ukazuje na njihov zajednički tragični udes - smrt u 37. godini života. Time Vedenski posredno daje odgovor na Puškinovo pitanje o životu i smrti iz pesama "Dar zaludni, dar slučajni", "Elegija" (1830), "Stihovi, napisani noću, za vreme nesanice"., 'Ëlegija' - odno iz dvuh poslednih sočinenij Vvedenskogo, prinadležit k rjadu samyh zagadočnyh. Mesto i rol' Puškina v dannom sočinenii markirovany samim ëpigrafom - namekom na ego 'Telegu žizni', motivy kotoroj razdajutsja i v predposlednej, vos'moj strofe (simvolika 'jamščika' i 'passažira', 'letjaščih' skvoz' vremja). No puškinskaja pečat' obnaruživaetsja i v poslednej strofe zakančivajuščej stihotvorenie neobyknovennoj kontaminaciej motivov iz 'Mednogo vsadnika' i stihotvorenija 'Žil na svete rycar' bednyj' ('mednye orly' i 'vsadnik bednyj'). Tak kak puškinskie reminiscencii pojavljajutsja i v poslednem stihotvorenii Vvedenskogo 'Gde'. 'Kogda' (iz stihotvorenija 'K morju'), a takže i prjamoe upominanie imeni Puškina - udvoennym vosklicaniem 'Ah, Puškin Puškin!', s odnoj storony, opredeljaet kol'cevuju kompoziciju diptiha pod puškinskim znakom, v to vremja kak, s drugoj storony, otoždestvlenie liričeskogo sub"ekta s Vvedenskim, a zatem i s Puškinym- predšestvennikom ukazyvaet na ih obščuju tragičeskuju sud'bu - smert' v 37-letnem vozraste. Ëtim Vvedenskij kosvennym obrazom otvečaet na voprašanija Puškina o žizni i smerti iz stihotvorenij 'Dar naprasnyj, dar slučajnyj', 'Ëlegija' (1830), 'Stihi sočinennye noč'ju vo vremja bessonnicy'",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "Puškinov kontekst 'Elegije' A. Vedenskog, Puškinskij kontekst 'Ëlegii' A. Vvedenskogo",
pages = "94-89",
number = "63",
url = "conv_448"
}

Ičin, K.. (2003). Puškinov kontekst 'Elegije' A. Vedenskog. in Зборник Матице српске за славистику
Нови Сад : Матица српска.(63), 89-94.
conv_448

Ičin K. Puškinov kontekst 'Elegije' A. Vedenskog. in Зборник Матице српске за славистику. 2003;(63):89-94.
conv_448 .

Ičin, Kornelija, "Puškinov kontekst 'Elegije' A. Vedenskog" in Зборник Матице српске за славистику, no. 63 (2003):89-94,
conv_448 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 2003
UR  - https://repff.fil.bg.ac.rs/handle/123456789/216
AB  - Puškinova zagonetna bajka "Zlatni petlić" privukla je pažnju avangardne slikarke Gončarove, koja je za Djagiljevske antreprize u Parizu 1914. godine uradila scenografiju. Iskoristivši u scenskom dekoru ruski i istočnjački folklor (jarke boje kostima, vašarske lutke, lubok, vertep) u sprezi sa ikonografskom kompozicijom same scene, Gončarova je otvorila novu stranicu u evropskoj dekorativnoj umetnosti uopšte. Rad istražuje odnos slikarke Gončarove prema tekstu Puškina, s kojim je povezuje, između ostalog, i rodoslovno stablo. Tako se buntovnički duh Gončarove,interesovanje za folklor, kao i za ilustrovanje futurističkih knjiga dovode u vezu sa Puškinovim nasleđem. Takođe, tekst donosi analizu uticaja Puškinovih crteža uz "Zlatnog petlića" na crteže Gončarove, te otkriva u njenim crtežima junaka bajke ukodirane likove samog Puškina-dečaka (malog Arapina) i same slikarke Gončarove (u liku sluškinja Šamahanske carice).
AB  - V rabote rassmatrivajutsja puškinskie citaty v hudožestvennom oformlenii 'Zolotogo petuška' Gončarovoj. Takimi predstavljajutsja risunki Puškina, ego zarisovki i illjustracii k tekstu, s kotorymi ne mogla byt' ne znakomoj Gončarova
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - Puškinsko-Rimsko-Korsakovski 'Zlatni petlić' u scenografiji Natalije Gončarove
T1  - Puškinsko-Rimsko-Korsakovskij 'Zolotoj petušok' v hudožestvennom oformlenii Natalii Gončarovoj
EP  - 38
IS  - 64
SP  - 31
UR  - conv_456
ER  - 

@article{
author = "Ičin, Kornelija",
year = "2003",
abstract = "Puškinova zagonetna bajka "Zlatni petlić" privukla je pažnju avangardne slikarke Gončarove, koja je za Djagiljevske antreprize u Parizu 1914. godine uradila scenografiju. Iskoristivši u scenskom dekoru ruski i istočnjački folklor (jarke boje kostima, vašarske lutke, lubok, vertep) u sprezi sa ikonografskom kompozicijom same scene, Gončarova je otvorila novu stranicu u evropskoj dekorativnoj umetnosti uopšte. Rad istražuje odnos slikarke Gončarove prema tekstu Puškina, s kojim je povezuje, između ostalog, i rodoslovno stablo. Tako se buntovnički duh Gončarove,interesovanje za folklor, kao i za ilustrovanje futurističkih knjiga dovode u vezu sa Puškinovim nasleđem. Takođe, tekst donosi analizu uticaja Puškinovih crteža uz "Zlatnog petlića" na crteže Gončarove, te otkriva u njenim crtežima junaka bajke ukodirane likove samog Puškina-dečaka (malog Arapina) i same slikarke Gončarove (u liku sluškinja Šamahanske carice)., V rabote rassmatrivajutsja puškinskie citaty v hudožestvennom oformlenii 'Zolotogo petuška' Gončarovoj. Takimi predstavljajutsja risunki Puškina, ego zarisovki i illjustracii k tekstu, s kotorymi ne mogla byt' ne znakomoj Gončarova",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "Puškinsko-Rimsko-Korsakovski 'Zlatni petlić' u scenografiji Natalije Gončarove, Puškinsko-Rimsko-Korsakovskij 'Zolotoj petušok' v hudožestvennom oformlenii Natalii Gončarovoj",
pages = "38-31",
number = "64",
url = "conv_456"
}

Ičin, K.. (2003). Puškinsko-Rimsko-Korsakovski 'Zlatni petlić' u scenografiji Natalije Gončarove. in Зборник Матице српске за славистику
Нови Сад : Матица српска.(64), 31-38.
conv_456

Ičin K. Puškinsko-Rimsko-Korsakovski 'Zlatni petlić' u scenografiji Natalije Gončarove. in Зборник Матице српске за славистику. 2003;(64):31-38.
conv_456 .

Ičin, Kornelija, "Puškinsko-Rimsko-Korsakovski 'Zlatni petlić' u scenografiji Natalije Gončarove" in Зборник Матице српске за славистику, no. 64 (2003):31-38,
conv_456 .

TY  - JOUR
AU  - Ičin, Kornelija
PY  - 1996
UR  - https://repff.fil.bg.ac.rs/handle/123456789/102
AB  - Ovaj rad donosi analizu motiva domovine i pesničkog spomenika u toj domovini kod dvojice kultnih autora - čelnika imažinizma Jesenjina i čelnika grupe SMOG (smelost, misao, vizija, dubina) Gubanova, koji u dijalog s Jesenjinom stupa na taj način što u svoje stihove interpolira direktne citate iz Jesenjinove poezije, te tako preinačuje, u zavisnosti od konteksta, njihov smisao. I dok se susret poznatog poete Jesenjina s domovinom odvija u sadašnjem vremenu i tiče se prihvatanja njegovog stvaralaštva u uslovima nove, sovjetske stvarnosti, dotle Gubanov sa sveskama neobjavljenih stihova svoj susret s domovinom vida iz perspektive onostranog sveta, kada će, kao pesnička odmazda, sve na zemlji 'razbuditi rog njegovih zloslutnih bespoštednih pesama'. Stoga Jesenjinov pesnički subjekt identifikuje domovinu s očevim domom, a Gubanov s apokaliptičkim prostorom, u koji s nebeskih visina posmatraju pravednici žrtve)Gljubavi' domovine Jesenjin, a pored njega i Mandeljštam, Cvetajeva, Gumiljov, Pasternak, pa i sam Gubanov.
PB  - Нови Сад : Матица српска
T2  - Зборник Матице српске за славистику
T1  - Dva 'povratka u otadžbinu' - Sergej Jesenjin i Leonid Gubanov
T1  - Dva 'Vozvraščenija na Rodinu': Sergej Esenin i Leonid Gubanov
EP  - 184
IS  - 50-51
SP  - 179
UR  - conv_560
ER  - 

@article{
author = "Ičin, Kornelija",
year = "1996",
abstract = "Ovaj rad donosi analizu motiva domovine i pesničkog spomenika u toj domovini kod dvojice kultnih autora - čelnika imažinizma Jesenjina i čelnika grupe SMOG (smelost, misao, vizija, dubina) Gubanova, koji u dijalog s Jesenjinom stupa na taj način što u svoje stihove interpolira direktne citate iz Jesenjinove poezije, te tako preinačuje, u zavisnosti od konteksta, njihov smisao. I dok se susret poznatog poete Jesenjina s domovinom odvija u sadašnjem vremenu i tiče se prihvatanja njegovog stvaralaštva u uslovima nove, sovjetske stvarnosti, dotle Gubanov sa sveskama neobjavljenih stihova svoj susret s domovinom vida iz perspektive onostranog sveta, kada će, kao pesnička odmazda, sve na zemlji 'razbuditi rog njegovih zloslutnih bespoštednih pesama'. Stoga Jesenjinov pesnički subjekt identifikuje domovinu s očevim domom, a Gubanov s apokaliptičkim prostorom, u koji s nebeskih visina posmatraju pravednici žrtve)Gljubavi' domovine Jesenjin, a pored njega i Mandeljštam, Cvetajeva, Gumiljov, Pasternak, pa i sam Gubanov.",
publisher = "Нови Сад : Матица српска",
journal = "Зборник Матице српске за славистику",
title = "Dva 'povratka u otadžbinu' - Sergej Jesenjin i Leonid Gubanov, Dva 'Vozvraščenija na Rodinu': Sergej Esenin i Leonid Gubanov",
pages = "184-179",
number = "50-51",
url = "conv_560"
}

Ičin, K.. (1996). Dva 'povratka u otadžbinu' - Sergej Jesenjin i Leonid Gubanov. in Зборник Матице српске за славистику
Нови Сад : Матица српска.(50-51), 179-184.
conv_560

Ičin K. Dva 'povratka u otadžbinu' - Sergej Jesenjin i Leonid Gubanov. in Зборник Матице српске за славистику. 1996;(50-51):179-184.
conv_560 .

Ičin, Kornelija, "Dva 'povratka u otadžbinu' - Sergej Jesenjin i Leonid Gubanov" in Зборник Матице српске за славистику, no. 50-51 (1996):179-184,
conv_560 .