Slika Kastilje i Kastiljanski identitet u tekstovima Migela Delibesa
The image of Castile and Castilian identity in the writings of Miguel Delibes
Апстракт
Polazeći od značaja koji u modernim uporednim studijama i studijama kulture imaju identitetska pitanja, rad se bavi slikom Kastilje i analizom elemenata kastiljanskog identiteta u autorskoj antologiji Kastilja, kastiljansko i Kastiljanci (Castilla, lo castellano y los castellanos, 1979), koju je savremeni španski pisac Migel Delibes (1920-2010) priredio kako bi odgovorio na molbu izdavača da konačno javnosti ponudi brojne odgovore na tinjajuća i aktuelna pitanja tranzicione Španije. Budući da je slična problematika prvi put sistematski i sintetički bila razmotrena još u esejističkim delima pripadnika Generacije '98, u segmentima rada naglašene su određene razlike nekadašnje slike Kastilje, a posebno kastiljanskog pejzaža, u odnosu na savremeniju koncepciju koju Delibes nudi u izmenjenim društveno-istorijskim okolnostima. Analiza 'slike o sebi' (auto-image), tj. o Kastilji i Kastiljancima u tekstualnim fragmentima Migela Delibesa, Kastiljanca, potvrđuje pretpostavku da njeni konstitutiv...ni elementi čine veoma originalan spoj naglašenog telurizma, kulturnog tradicionalizma, naturalizma, izrazitog i destruktivnog pesimizma, ali i društvene, političke, ideološke polarizacije stanovnika. Kastiljanac tako postaje čovek čiji identitet obuhvata spoj protivrečnosti koje mu svojim dinamizmom pomažu da opstane u surovim životnim okolnostima i da sebe i svoje postojanje samerava u odnosu na Drugog, svakog ko postoji izvan geografskih i kulturoloških granica centralnog dela Iberijskog poluostrva.
Considering the importance that issues of identity have in contemporary comparative and cultural studies, this article presents the image of Castile and analyses the elements of the Castilian identity which are discussed in the anthology entitled Castile, Castilian and Castilians (Castilla, lo castellano y los castellanos, 1979) and personally compiled by the Spanish contemporary writer Miguel Delibes (1920-2010), fulfilling the promise given to a publisher to finally offer the public a number of answers to smouldering and topical issues during the period of democratic transition in Spain. Since these kinds of issues first appeared in a systematic manner and were thoroughly analysed in the essayistic texts of the Generation of 98, a considerable portion of the article is dedicated to the differences between previous images of Castile, especially its landscape, and more contemporary concept, created by Miguel Delibes, which is conceived in a very different historical and social context.... The analysis of self-image, that is, in this case, of Castile and the Castilians in the textual fragments of Miguel Delibes, a Castilian, supports the assumption that its constituent elements make a synthetic fusion of tellurism, cultural traditionalism, naturalism, intense and destructive pessimism, but also an ideological, political and social polarization of the Castilian people. A Castilian, therefore, becomes a man whose identity includes a synthesis of contradictions that often help him, by its dynamism, to survive the harsh living conditions, and to compare himself and his existence with the Other/Others, that is, with everyone who is outside the geographical and cultural boundaries of the central Iberian Peninsula.
Кључне речи:
studije kulture / španska književnost XX veka / Migel Delibes / kastiljansko i Kastiljanci / Kastilja / identitet / twentieth-century Spanish literature / Miguel Delibes / identity / cultural studies / Castilian and Castilians / CastileИзвор:
Наслеђе : часопис за књижевност, уметност и културу, 2016, 13, 35, 151-164Издавач:
- Крагујевац : Филолошко-уметнички факултет
Институција/група
Filološki fakultet / Faculty of PhilologyTY - JOUR AU - Karanović, Vladimir PY - 2016 UR - https://repff.fil.bg.ac.rs/handle/123456789/1025 AB - Polazeći od značaja koji u modernim uporednim studijama i studijama kulture imaju identitetska pitanja, rad se bavi slikom Kastilje i analizom elemenata kastiljanskog identiteta u autorskoj antologiji Kastilja, kastiljansko i Kastiljanci (Castilla, lo castellano y los castellanos, 1979), koju je savremeni španski pisac Migel Delibes (1920-2010) priredio kako bi odgovorio na molbu izdavača da konačno javnosti ponudi brojne odgovore na tinjajuća i aktuelna pitanja tranzicione Španije. Budući da je slična problematika prvi put sistematski i sintetički bila razmotrena još u esejističkim delima pripadnika Generacije '98, u segmentima rada naglašene su određene razlike nekadašnje slike Kastilje, a posebno kastiljanskog pejzaža, u odnosu na savremeniju koncepciju koju Delibes nudi u izmenjenim društveno-istorijskim okolnostima. Analiza 'slike o sebi' (auto-image), tj. o Kastilji i Kastiljancima u tekstualnim fragmentima Migela Delibesa, Kastiljanca, potvrđuje pretpostavku da njeni konstitutivni elementi čine veoma originalan spoj naglašenog telurizma, kulturnog tradicionalizma, naturalizma, izrazitog i destruktivnog pesimizma, ali i društvene, političke, ideološke polarizacije stanovnika. Kastiljanac tako postaje čovek čiji identitet obuhvata spoj protivrečnosti koje mu svojim dinamizmom pomažu da opstane u surovim životnim okolnostima i da sebe i svoje postojanje samerava u odnosu na Drugog, svakog ko postoji izvan geografskih i kulturoloških granica centralnog dela Iberijskog poluostrva. AB - Considering the importance that issues of identity have in contemporary comparative and cultural studies, this article presents the image of Castile and analyses the elements of the Castilian identity which are discussed in the anthology entitled Castile, Castilian and Castilians (Castilla, lo castellano y los castellanos, 1979) and personally compiled by the Spanish contemporary writer Miguel Delibes (1920-2010), fulfilling the promise given to a publisher to finally offer the public a number of answers to smouldering and topical issues during the period of democratic transition in Spain. Since these kinds of issues first appeared in a systematic manner and were thoroughly analysed in the essayistic texts of the Generation of 98, a considerable portion of the article is dedicated to the differences between previous images of Castile, especially its landscape, and more contemporary concept, created by Miguel Delibes, which is conceived in a very different historical and social context. The analysis of self-image, that is, in this case, of Castile and the Castilians in the textual fragments of Miguel Delibes, a Castilian, supports the assumption that its constituent elements make a synthetic fusion of tellurism, cultural traditionalism, naturalism, intense and destructive pessimism, but also an ideological, political and social polarization of the Castilian people. A Castilian, therefore, becomes a man whose identity includes a synthesis of contradictions that often help him, by its dynamism, to survive the harsh living conditions, and to compare himself and his existence with the Other/Others, that is, with everyone who is outside the geographical and cultural boundaries of the central Iberian Peninsula. PB - Крагујевац : Филолошко-уметнички факултет T2 - Наслеђе : часопис за књижевност, уметност и културу T1 - Slika Kastilje i Kastiljanski identitet u tekstovima Migela Delibesa T1 - The image of Castile and Castilian identity in the writings of Miguel Delibes EP - 164 IS - 35 SP - 151 VL - 13 DO - 10.5937/naslKg1635151K UR - conv_1715 ER -
@article{ author = "Karanović, Vladimir", year = "2016", abstract = "Polazeći od značaja koji u modernim uporednim studijama i studijama kulture imaju identitetska pitanja, rad se bavi slikom Kastilje i analizom elemenata kastiljanskog identiteta u autorskoj antologiji Kastilja, kastiljansko i Kastiljanci (Castilla, lo castellano y los castellanos, 1979), koju je savremeni španski pisac Migel Delibes (1920-2010) priredio kako bi odgovorio na molbu izdavača da konačno javnosti ponudi brojne odgovore na tinjajuća i aktuelna pitanja tranzicione Španije. Budući da je slična problematika prvi put sistematski i sintetički bila razmotrena još u esejističkim delima pripadnika Generacije '98, u segmentima rada naglašene su određene razlike nekadašnje slike Kastilje, a posebno kastiljanskog pejzaža, u odnosu na savremeniju koncepciju koju Delibes nudi u izmenjenim društveno-istorijskim okolnostima. Analiza 'slike o sebi' (auto-image), tj. o Kastilji i Kastiljancima u tekstualnim fragmentima Migela Delibesa, Kastiljanca, potvrđuje pretpostavku da njeni konstitutivni elementi čine veoma originalan spoj naglašenog telurizma, kulturnog tradicionalizma, naturalizma, izrazitog i destruktivnog pesimizma, ali i društvene, političke, ideološke polarizacije stanovnika. Kastiljanac tako postaje čovek čiji identitet obuhvata spoj protivrečnosti koje mu svojim dinamizmom pomažu da opstane u surovim životnim okolnostima i da sebe i svoje postojanje samerava u odnosu na Drugog, svakog ko postoji izvan geografskih i kulturoloških granica centralnog dela Iberijskog poluostrva., Considering the importance that issues of identity have in contemporary comparative and cultural studies, this article presents the image of Castile and analyses the elements of the Castilian identity which are discussed in the anthology entitled Castile, Castilian and Castilians (Castilla, lo castellano y los castellanos, 1979) and personally compiled by the Spanish contemporary writer Miguel Delibes (1920-2010), fulfilling the promise given to a publisher to finally offer the public a number of answers to smouldering and topical issues during the period of democratic transition in Spain. Since these kinds of issues first appeared in a systematic manner and were thoroughly analysed in the essayistic texts of the Generation of 98, a considerable portion of the article is dedicated to the differences between previous images of Castile, especially its landscape, and more contemporary concept, created by Miguel Delibes, which is conceived in a very different historical and social context. The analysis of self-image, that is, in this case, of Castile and the Castilians in the textual fragments of Miguel Delibes, a Castilian, supports the assumption that its constituent elements make a synthetic fusion of tellurism, cultural traditionalism, naturalism, intense and destructive pessimism, but also an ideological, political and social polarization of the Castilian people. A Castilian, therefore, becomes a man whose identity includes a synthesis of contradictions that often help him, by its dynamism, to survive the harsh living conditions, and to compare himself and his existence with the Other/Others, that is, with everyone who is outside the geographical and cultural boundaries of the central Iberian Peninsula.", publisher = "Крагујевац : Филолошко-уметнички факултет", journal = "Наслеђе : часопис за књижевност, уметност и културу", title = "Slika Kastilje i Kastiljanski identitet u tekstovima Migela Delibesa, The image of Castile and Castilian identity in the writings of Miguel Delibes", pages = "164-151", number = "35", volume = "13", doi = "10.5937/naslKg1635151K", url = "conv_1715" }
Karanović, V.. (2016). Slika Kastilje i Kastiljanski identitet u tekstovima Migela Delibesa. in Наслеђе : часопис за књижевност, уметност и културу Крагујевац : Филолошко-уметнички факултет., 13(35), 151-164. https://doi.org/10.5937/naslKg1635151K conv_1715
Karanović V. Slika Kastilje i Kastiljanski identitet u tekstovima Migela Delibesa. in Наслеђе : часопис за књижевност, уметност и културу. 2016;13(35):151-164. doi:10.5937/naslKg1635151K conv_1715 .
Karanović, Vladimir, "Slika Kastilje i Kastiljanski identitet u tekstovima Migela Delibesa" in Наслеђе : часопис за књижевност, уметност и културу, 13, no. 35 (2016):151-164, https://doi.org/10.5937/naslKg1635151K ., conv_1715 .