World Heritage. From the Manuscript to the Digital Form
Само за регистроване кориснике
2015
Чланак у часопису (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
Nowadays it seems that the notion of cultures as petrified monoliths has largely become outdated. The boundaries between cultures are blurred and vague, due to migration, transnational communities and diaspora, education and socialization. Folk culture is often declared to be archaic, whereas high culture is declared to be universal in terms of its meanings and values; mass culture and postmodern life are based on the media and electronic communications as vectors of meaning, notions, beliefs. This paper focuses on the issues of relations between cultures that retain their uniqueness, the mutual permeation of cultures that constitute the world's cultural heritage. It also deals with the interpretation of the widely accepted phrase 'mythology of the open road', which is linked to mastering information and its transformation from the manuscript through the printed to the digital format. It is an expression of recognition of broad and diverse possibilities of providing information on cult...ural heritage. At the same time, it represents an ironic statement, since access to knowledge is conditioned by technological, economic, ethnic, political, legal, geographical and linguistic barriers.
Извор:
European Review, 2015, 23, 3, 354-360Издавач:
- Cambridge Univ Press, Cambridge
DOI: 10.1017/S1062798715000022
ISSN: 1062-7987
WoS: 000356058700005
Scopus: 2-s2.0-84930392140
Институција/група
Filološki fakultet / Faculty of PhilologyTY - JOUR AU - Vraneš, Aleksandra PY - 2015 UR - https://repff.fil.bg.ac.rs/handle/123456789/953 AB - Nowadays it seems that the notion of cultures as petrified monoliths has largely become outdated. The boundaries between cultures are blurred and vague, due to migration, transnational communities and diaspora, education and socialization. Folk culture is often declared to be archaic, whereas high culture is declared to be universal in terms of its meanings and values; mass culture and postmodern life are based on the media and electronic communications as vectors of meaning, notions, beliefs. This paper focuses on the issues of relations between cultures that retain their uniqueness, the mutual permeation of cultures that constitute the world's cultural heritage. It also deals with the interpretation of the widely accepted phrase 'mythology of the open road', which is linked to mastering information and its transformation from the manuscript through the printed to the digital format. It is an expression of recognition of broad and diverse possibilities of providing information on cultural heritage. At the same time, it represents an ironic statement, since access to knowledge is conditioned by technological, economic, ethnic, political, legal, geographical and linguistic barriers. PB - Cambridge Univ Press, Cambridge T2 - European Review T1 - World Heritage. From the Manuscript to the Digital Form EP - 360 IS - 3 SP - 354 VL - 23 DO - 10.1017/S1062798715000022 UR - conv_1519 ER -
@article{ author = "Vraneš, Aleksandra", year = "2015", abstract = "Nowadays it seems that the notion of cultures as petrified monoliths has largely become outdated. The boundaries between cultures are blurred and vague, due to migration, transnational communities and diaspora, education and socialization. Folk culture is often declared to be archaic, whereas high culture is declared to be universal in terms of its meanings and values; mass culture and postmodern life are based on the media and electronic communications as vectors of meaning, notions, beliefs. This paper focuses on the issues of relations between cultures that retain their uniqueness, the mutual permeation of cultures that constitute the world's cultural heritage. It also deals with the interpretation of the widely accepted phrase 'mythology of the open road', which is linked to mastering information and its transformation from the manuscript through the printed to the digital format. It is an expression of recognition of broad and diverse possibilities of providing information on cultural heritage. At the same time, it represents an ironic statement, since access to knowledge is conditioned by technological, economic, ethnic, political, legal, geographical and linguistic barriers.", publisher = "Cambridge Univ Press, Cambridge", journal = "European Review", title = "World Heritage. From the Manuscript to the Digital Form", pages = "360-354", number = "3", volume = "23", doi = "10.1017/S1062798715000022", url = "conv_1519" }
Vraneš, A.. (2015). World Heritage. From the Manuscript to the Digital Form. in European Review Cambridge Univ Press, Cambridge., 23(3), 354-360. https://doi.org/10.1017/S1062798715000022 conv_1519
Vraneš A. World Heritage. From the Manuscript to the Digital Form. in European Review. 2015;23(3):354-360. doi:10.1017/S1062798715000022 conv_1519 .
Vraneš, Aleksandra, "World Heritage. From the Manuscript to the Digital Form" in European Review, 23, no. 3 (2015):354-360, https://doi.org/10.1017/S1062798715000022 ., conv_1519 .